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Antigone
My Role: Co-Scenic Designer.
As a co-scenic designer, my job for this production was to work with my co designer to make drafts, renderings, and elevations for the design based on the director's vision. I took part in construction and scenic painting as well.
Director: Jason Gerace
Stage Manager: Kenny Miller
Scenery: Dev DiGrazia & Des Hahn
Costumes: Angela Kvitek
Hair&Makeup: Stephanie Milroy
Lighting: Kaili Story
Sound: Andrew Butler & Colin Trevor
TD: Dean Gnadinger
As a co-scenic designer, my job for this production was to work with my co designer to make drafts, renderings, and elevations for the design based on the director's vision. I took part in construction and scenic painting as well.
Director: Jason Gerace
Stage Manager: Kenny Miller
Scenery: Dev DiGrazia & Des Hahn
Costumes: Angela Kvitek
Hair&Makeup: Stephanie Milroy
Lighting: Kaili Story
Sound: Andrew Butler & Colin Trevor
TD: Dean Gnadinger
The Toxic Avenger
My Role: Scenic Painter
As a scenic painter, my job was to paint the set using various techniques to bring the scene to life. This included adding texture, shading, patterning, and other details to bring depth and interest to the set pieces.
Director: Abby Schwarz
Stage Manager: Grace Vestuto
Choreographer: Sara Zgonina
Scenery: Grace Vestuto & Dean Gnadinger
Costumes: Amber Miller
Hair&Makeup: Rylie Gendron
Lighting: Marissa Olavarria
Sound: Jake Elkins
TD: Dean Gnadinger
Scenic Charge: Des Hahn
Paint: Dev DiGrazia & Han Murphy
As a scenic painter, my job was to paint the set using various techniques to bring the scene to life. This included adding texture, shading, patterning, and other details to bring depth and interest to the set pieces.
Director: Abby Schwarz
Stage Manager: Grace Vestuto
Choreographer: Sara Zgonina
Scenery: Grace Vestuto & Dean Gnadinger
Costumes: Amber Miller
Hair&Makeup: Rylie Gendron
Lighting: Marissa Olavarria
Sound: Jake Elkins
TD: Dean Gnadinger
Scenic Charge: Des Hahn
Paint: Dev DiGrazia & Han Murphy
A Midsummer Night's Dream
My Role: Assistant Stage Manager
My job for this production was to work closely with the stage mananger and assist in pre and post rehearsal/show duties, making and posting daily calls and rehearsal/performance reports, taking blocking and line notes, and creating tracking sheets. During performances I took charge of run crew, communicated with the stage manager from backstage, and assisted in moving set pieces.
Director: Jess Hutchinson
Assistant Director: Lindsay Gleason
Stage Manager: Liz Miller
Assistant Stage Manager: Dev DiGrazia
Scenery: Brian Redfern
Costumes: Anna Wooden
Lighting: Heather Sparling
Sound: Jeffrey Levin
TD: Dean Gnadinger
Paint: Steph Charaska
My job for this production was to work closely with the stage mananger and assist in pre and post rehearsal/show duties, making and posting daily calls and rehearsal/performance reports, taking blocking and line notes, and creating tracking sheets. During performances I took charge of run crew, communicated with the stage manager from backstage, and assisted in moving set pieces.
Director: Jess Hutchinson
Assistant Director: Lindsay Gleason
Stage Manager: Liz Miller
Assistant Stage Manager: Dev DiGrazia
Scenery: Brian Redfern
Costumes: Anna Wooden
Lighting: Heather Sparling
Sound: Jeffrey Levin
TD: Dean Gnadinger
Paint: Steph Charaska
Blood at The Root
My Role: Assistant Stage Manager
As an ASM my role during this production was to assist the stage manager with responsibilities. These included pre and post rehearsal/show duties, taking blocking and line notes, creating tracking sheets, and running production meetings when needed. During performances I stayed in communication with the stage manager, kept track of actors backstage, and flew set pieces on and off stage.
Director: Susan Robinson
Stage Manager: Dianna Driscoll
Assistant Stage Manager: Dev DiGrazia
Scenery: Nick Schwartz
Costumes: Satoe Schechner
Lighting:
Sound: Willie Lynch & Sadah Espii Proctor
As an ASM my role during this production was to assist the stage manager with responsibilities. These included pre and post rehearsal/show duties, taking blocking and line notes, creating tracking sheets, and running production meetings when needed. During performances I stayed in communication with the stage manager, kept track of actors backstage, and flew set pieces on and off stage.
Director: Susan Robinson
Stage Manager: Dianna Driscoll
Assistant Stage Manager: Dev DiGrazia
Scenery: Nick Schwartz
Costumes: Satoe Schechner
Lighting:
Sound: Willie Lynch & Sadah Espii Proctor
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